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Peer-reviewed journal articles

Rummukainen, O., Romblom, D., & Guastavino, C. (2016). Diffuse field modeling using physically-inspired decorrelation filters adn B-format microphones: Part II Evaluation. Journal of the Audio Engineering Society, 64(4), 194–2017.
Romblom, D., Depalle, P., Guastavino, C., & King, R. (2016). Diffuse field modeling using physically-inspired decorrelation filters and B-format microphones: Part I Algorithm. Journal of the Audio Engineering Society, 64(4), 177–193.
Gauthier, P.-A., Camier, C., Lebel, F.-A., Pasco, Y., Berry, A., Langlois, J., … Guastavino, C. (2016). Experiments of multichannel least-square methods for sound field reproduction inside aircraft mock-up: Objective evaluations. Journal of Sound and Vibration, 376, 194–216.
Camier, C., Boissinot, J., & Guastavino, C. (2016). On the robustness of upper limits for circular auditory motion perception. Journal on Multimodal User Interfaces, 10(3), 285–298.
Steffens, J., Steele, D., & Guastavino, C. (2015). Measuring momentary and retrospective soundscape evaluations in everyday life by means of the experience sampling method. The Brunswik Society Newsletter, 30, 45–48.
Steffens, J., & Guastavino, C. (2015). Trends in momentary and retrospective soundscape judgments. Acta Acustica United with Acustica, 101, 713–722.
Luizard, P., Katz, B. F. G., & Guastavino, C. (2015). Perceived suitability of reverberation in large coupled volume concert halls. Psychomusicology: Music, Mind, and Brain, 25(3), 317–325.
Luizard, P., Katz, B. F. G., & Guastavino, C. (2015). Perceptual thresholds for realistic double-slope decay reverberation in large coupled spaces. Journal of the Acoustical Society of America, 137(1), 75–85.
Fernandez, P., Aurouze, B., & Guastavino, C. (2015). Plating in gastronomic restaurants: A qualitative exploration of chefs’ perception. Menu, Journal of Food and Hospitality Research, 4, 16–21. Retrieved from
Ayachi, F., Dorey, J., & Guastavino, C. (2015). Identifying factors of bicycle comfort: An online survey with enthusiast cyclists. Applied Ergonomics, 46(A), 124–136.
Absar, R., & Guastavino, C. (2015). The design and formative evaluation of nonspeech auditory feedback for an information system. Journal of the American Society for Information Science and Technology.
Frissen, I., & Mars, F. (2014). The effect of visual degradation on anticipatory and compensatory steering control. The Quarterly Journal of Experimental Psychology, 67(3), 499–507. Retrieved from
Frissen, I., & Guastavino, C. (2014). Do whole-body vibrations affect spatial hearing? Ergonomics, 57(7), 1090–1101.
Frissen, I., Féron, F. X., & Guastavino, C. (2014). Auditory velocity discrimination in the horizontal plane at very high velocities. Hearing Research, 316, 94–101.
Boutard, G. (2014). Towards Mixed Methods Digital Curation: Facing specific adaptation in the artistic domain. Archival Science.
Verron, C., Gauthier, P.-A., Langlois, J., & Guastavino, C. (2013). Spectral and spatial multichannel analysis/synthesis of interior aircraft sounds. IEEE Transactions on Audio, Speech, and Language Processing, 21(7), 1317–1329.
Rosenblum, A. L., Burr, G., & Guastavino, C. (2013). Survey: Adoption of Published Standards in Cylinder and 78rpm Disc Digitization. International Association of Sound and Audiovisual Archives Journal, 41, 40–55.
Pras, A., Guastavino, C., & Lavoie, M. (2013). The impact of technological advances on recording studio practices. Journal of the American Society for Information Science and Technology, 64(3), 612–626.
Pras, A., & Guastavino, C. (2013). Impact of producers’ comments and musicians’ self evaluation on perceived recording quality. Music, Technology & Education, 6(1), 81–101.
Pras, A., Cance, C., & Guastavino, C. (2013). Record producers’ best practices for artistic direction – From light coaching to deeper collaboration with musicians. Journal of New Music Research, 42(4), 381–395.
Julien, C.-A., Tirilly, P., Dinneen, J. D., & Guastavino, C. (2013). Reducing subject tree browsing complexity. Journal of the American Society for Information Science and Technology, 64(11), 2201–2223.
Boutard, G., & Marandola, F. (2013). Méthode et application de la documentation des œuvres mixtes en vue de leur préservation et de leur diffusion. Circuit : Musiques Contemporaines, 22(4), 37–47.
Boutard, G., Guastavino, C., & Turner, J. M. (2013). A Digital Archives Framework for the Preservation of Artistic Works with Technological Components. International Journal of Digital Curation, 8(1), 42–65.
Boutard, G. (2013). The re-performance of digital archives of contemporary music with live electronics: a theoretical and practical preservation framework (Doctoral Thesis). McGill University, Montreal, QC. Retrieved from
Julien, C.-A., Tirilly, P., Leide, J. E., & Guastavino, C. (2012). Constructing a True LCSH Tree of a Science and Engineering Collection. Journal of the American Society for Information Science and Technology, 63(12), 2405–2418.
Julien, C.-A., Guastavino, C., & Bouthillier, F. (2012). Capitalizing on Information Organization and Information Visualization for a New-Generation Catalogue. Library Trends, 6(1), 148–161.
Guastavino, C., & Boutard, G. (2012). Preservation d’artefacts culturels numériques – Introduction. Les Cahiers Du Numériques, 8(4), 9–12.
Goldszmidt, S., & Boutard, G. (2012). De la documentation d’une œuvre de musique mixte. Les Cahiers Du Numérique, 8(4), 119–141.
Frissen, I., Ziat, M., Campion, G., Hayward, V., & Guastavino, C. (2012). The effect of voluntary movements on auditory-haptic and haptic-haptic temporal order judgments. Acta Psychologica, 141, 140–148.
Boutard, G., & Guastavino, C. (2012). Following Gesture Following: Grounding the Documentation of a Multi-Agent Creation Process. Computer Music Journal, 36(4), 59–80.
Boutard, G., & Guastavino, C. (2012). Archiving electroacoustic and mixed music: significant knowledge involved in the creative process of works with spatialisation. Journal of Documentation, 68(6), 749–771.
Pras, A., & Guastavino, C. (2011). The role of music producers and sound engineers in the current recording context, as perceived by young professionals. Musicae Scientiae, 15(1), 73–95.
Murphy, E., Lagrange, M., Scavone, G., Depalle, P., & Guastavino, C. (2011). Perceptual evaluation of rolling sound synthesis. Acta Acustica United with Acustica, 97(5), 840–851.
Giordano, B., Guastavino, C., Murphy, E., Ogg, M., Smith, B. K., & McAdams, S. (2011). Comparison of Dissimilarity Estimation Methods. Multivariate Behavioral Research, 46, 1–33.
Féron, F. X., Frissen, I., Boissinot, J., & Guastavino, C. (2010). Upper limits of auditory rotational motion perception. The Journal of the Acoustical Society of America, 128(6), 3703–3714.
Souman, J. L., Giordano, P. R., Frissen, I., Luca, A. D., & Ernst, M. O. (2010). Making virtual walking real: Perceptual evaluation of a new treadmill control algorithm. ACM Transactions on Applied Perception, 7(2).
Souman, J. L., Frissen, I., Sreenivasa, M. N., & Ernst, M. O. (2009). Walking Straight into Circles. Current Biology, 19(18), 1538–1542.
Passamonti, C., Frissen, I., & Làdavas, E. (2009). Visual recalibration of auditory spatial perception: two separate neural circuits for perceptual learning. European Journal of Neuroscience, 30(6), 1141–1150.
Julien, C. A., & Cole, C. (2009). Capitalizing on Controlled Subject Vocabulary by Providing a Map of Main Subject Headings : an Exploratory Design Study. Canadian Journal of Information and Library Sciences, 33(1-2), 67–83.
Guastavino, C., Gómez, F., Toussaint, G., Marandola, F., & Gómez, E. (2009). Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research, 38(2), 175–184.
Féron, F. X. (2009). John Zorn ou l’abolition des frontières musicales. L’éducation Musicale, 559, 4–8.
Sreenivasa, M., Frissen, I., Souman, J., & Ernst, M. (2008). Walking along curved paths of different angles: the relationship between head and trunk turning. Experimental Brain Research, 191, 313–320.
Pirhonen, A., & Murphy, E. (2008). Designing for the unexpected: the role of creative group work for emerging interaction design paradigms. Visual Communication, 7(3), 331 –344.
Murphy, E., Kuber, R., McAllister, G., Strain, P., & Yu, W. (2008). An empirical investigation into the difficulties experienced by visually impaired Internet users. Universal Access in the Information Society, 7, 79–91.
Julien, C. A., Leide, J., & Bouthillier, F. (2008). Controlled user evaluations of information visualization interfaces for text retrieval: Literature review and meta-analysis. Journal of the American Society for Information Science and Technology, 59(6), 1012–1024.
Julien, C. A., & Bouthillier, F. (2008). Le catalogue réinventé. Documentation et Bibliothèques, 54(3), 229–239.
Bonardi, A., Barthélémy, J., Boutard, G., & Ciavarella, R. (2008). Préservation de processus temps réel: Vers un document numérique. Document Numérique, 11(3-4), 59–80.
Verfaille, V., Guastavino, C., & Depalle, P. (2007). Evaluation de modèles de vibrato. Les Cahiers de La Société Québécoise de Recherche En Musique, 9(1-2), 49–62.
Guastavino, C. (2007). Categorization of environmental sounds. Canadian Journal of Experimental Psychology, 60(1), 54–63.
Guastavino, C., & Cheminée, P. (2006). Basses fréquences en milieu urbain: qu’en disent les citadins. Acoustique et Techniques, 44, 39–45.
Guastavino, C. (2006). The ideal urban soundscape: Investigating the sound quality of French cities. Acta Acustica United with Acustica, 92(6), 945–951.
Dubois, D., Guastavino, C., & Raimbault, M. (2006). A cognitive approach to soundscape: Using verbal data to access everyday life auditory categories. Acta Acustica United with Acustica, 92(6), 865–874.
Guastavino, C., Katz, B., Polack, J. D., Levitin, D. J., & Dubois, D. (2005). Ecological validity of soundscape reproduction. Acta Acustica United with Acustica, 91(2), 333–341.
Guastavino, C., & Katz, B. (2004). Perceptual evaluation of multi-dimensional spatial audio reproduction. Journal of the Acoustical Society of America, 116(2), 1105–1115.
Dubois, D., Guastavino, C., & Raimbault, M. (2004). Les catégories cognitives du bruit urbain : des discours aux indicateurs physiques. Acoustique et Techniques, 39, 49–57.
Guastavino, C., & Cheminée, P. (2003). A psycholinguistic approach to the ecological validity of experimental settings. Food Quality and Preference, 15, 884–886.
Guastavino, C., & Cheminée, P. (2003). Une approche psycholinguistique de la perception des basses fréquences : Conceptualisations en langue, représentations cognitives et validité écologique. Psychologie Française, 48(4), 91–101.
Guastavino, C., Polack, J. D., Dubois, D., & Arras, C. (2001). Etude sémantique de la perception des basses fréquences dans les bruits de transports terrestres. Acoustique et Techniques, 26, 23–26.

Articles in press

Féron, F.-X., & Guastavino, C. (n.d.). Étudier la musique sous toutes ses formes: la démultiplication des approches scientifiques en musicologie. Histoire de La Recherche Contemporaine.

Articles submitted

Weigl, D. M., Levitin, D. J., & Guastavino, C. (n.d.). The role of rhythmic information in melody identification.
Roque, J., Guastavino, C., Lafraire, J., & Fernandez, P. (n.d.). Plating influences diners’ perception of culinary creativity.
Romblom, D., Guastavino, C., & Depalle, P. (n.d.). Perceptual thresholds for non-ideal diffuse field reverberation.

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