Guillaume Boutard [Alumni]: Publications

Biography Research Publications

Publications:

Peer-reviewed journal articles

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Boutard, G. (2014). Towards Mixed Methods Digital Curation: Facing specific adaptation in the artistic domain. Archival Science.
Boutard, G., & Marandola, F. (2013). Méthode et application de la documentation des œuvres mixtes en vue de leur préservation et de leur diffusion. Circuit : Musiques Contemporaines, 22(4), 37–47.
Boutard, G., Guastavino, C., & Turner, J. M. (2013). A Digital Archives Framework for the Preservation of Artistic Works with Technological Components. International Journal of Digital Curation, 8(1), 42–65.
Boutard, G. (2013). The re-performance of digital archives of contemporary music with live electronics: a theoretical and practical preservation framework (Doctoral Thesis). McGill University, Montreal, QC. Retrieved from http://digitool.library.mcgill.ca/R/-?func=dbin-jump-full&object_id=117132&silo_library=GEN01
Guastavino, C., & Boutard, G. (2012). Preservation d’artefacts culturels numériques – Introduction. Les Cahiers Du Numériques, 8(4), 9–12.
Goldszmidt, S., & Boutard, G. (2012). De la documentation d’une œuvre de musique mixte. Les Cahiers Du Numérique, 8(4), 119–141.
Boutard, G., & Guastavino, C. (2012). Following Gesture Following: Grounding the Documentation of a Multi-Agent Creation Process. Computer Music Journal, 36(4), 59–80.
Boutard, G., & Guastavino, C. (2012). Archiving electroacoustic and mixed music: significant knowledge involved in the creative process of works with spatialisation. Journal of Documentation, 68(6), 749–771.
Bonardi, A., Barthélémy, J., Boutard, G., & Ciavarella, R. (2008). Préservation de processus temps réel: Vers un document numérique. Document Numérique, 11(3-4), 59–80.

Peer-reviewed conference proceedings

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Boutard, G., & Marandola, F. (2013). Documentation des processus créatifs pour la préservation et la dissémination des œuvres mixtes. In proceedings of Tracking the Creative Process in Music 2013 (pp. 35–37). Montréal, QC.
Boutard, G., & Guastavino, C. (2013). The Performing World of Digital Archives. In actes de la 4ème conférence Document numérique et société (pp. 13–24). Zagreb: De Boeck.
Féron, F. X., & Boutard, G. (2012). L’(a)perception de l’électronique par les interprètes dans les œuvres mixtes en temps réel pour instrument seul. Presented at the Analyser la musique mixte / Analysing Mixed Music, Paris, France. Retrieved from http://musiquemixte.sfam.org/?page_id=105
Boutard, G., Guastavino, C., & Turner, J. M. (2012). Digital sound processing preservation: impact on digital archives. In Proceedings of the 2012 iConference (pp. 177–182). Toronto.
Boutard, G., & Guastavino, C. (2011). Informer les archives des musiques électroacoustiques et mixtes par les processus de création. In Proceedings of Tracking the Creative Process in Music 2011. Lille, France.
Ng, K., Mikroyannidis, A., Ong, B., Bonardi, A., Barthélémy, J., Ciavarella, R., & Boutard, G. (2008). Ontology Management for Preservation of Interactive Multimedia Performances. In proceedings of International Computer Music Conference ICMC’08. Belfast.
Barthélémy, J., Bonardi, A., Boutard, G., & Ciavarella, R. (2008). Our Research for Lost Route to Root. In proceedings of International Computer Music Conference ICMC’08. Belfast: International Computer Music Association.
Bonardi, A., Barthélémy, J., Ciavarella, R., & Boutard, G. (2008). Will software modules for performing arts be sustainable? In proceedings of the 14th IEEE Mediterranean Electrotechnical Conference MELECON’08. Ajaccio.
Bonardi, A., Barthélémy, J., Boutard, G., & Ciavarella, R. (2008). First Steps in Research and Development about the Sustainability of Software Modules for Performing Arts. In proceedings of Journées d’Informatique Musicale JIM'08. Albi.

Others

Boutard, G. (2013). Introduction: les enjeux structurels de la préservation des technologies dans les arts contemporains. Circuit : Musiques Contemporaines, 22(4), 5–8.
Bekiari, C., Doerr, M., & Le Boeuf, P. (Eds.). (2010, January). FRBRoo Model v1.0.1. International Working Group on FRBR and CIDOC CRM Harmonisation. Retrieved from http://www.cidoc-crm.org/docs/frbr_oo/frbr_docs/FRBRoo_V1.0.1.pdf
Ciavarella, R., Bonardi, A., & Boutard, G. (2009). Virtualization of real time audio processes: towards a musical notation of contemporary music (pp. 162–165). Presented at the CULTURAL HERITAGE on line, Florence, Italy: Fondazione Rinascimento Digitale. Retrieved from http://www.rinascimento-digitale.it/eventi/conference2009/proceedings-2009/Proceedings-part2.pdf

Contact information

E-mail
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(at) mail (dot) mcgill (dot) ca

Address
McGill University, SIS
3661 Peel street
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Canada

Phone: +1 (514) 398-4204
Fax: +1 (514) 398-7193

Lab Web Site
http://mil.mcgill.ca

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